Walter Metz

• Adaptation Studies
• Intertextuality
• Television Studies
• Genre Theory
• Science Studies

Ph.D. in Radio-Television-Film
University of Texas at Austin
Department of Radio-Television-Film
Dissertation: “Webs of Significance”: Intertextual and Cultural Historical Approaches to Cold War American Film Adaptations” (Janet Staiger, director) August 1996

M.A. in Communication Studies
University of Iowa
Film Studies Division, Department of Communication Studies
May 1991

S.B. in Film and Literature
Massachusetts Institute of Technology
Media Studies Division, Department of Humanities
June 1989

S.B. in Electronic Materials Engineering
Massachusetts Institute of Technology
Department of Materials Science and Engineering June 1989

Chair of Cinema (2025-present)
School of Performing Arts
Virginia Polytechnic Institute
Blacksburg, VA

Acting Interim Associate Dean (2020-2021)
College of Mass Communication and Media Arts Southern Illinois University Carbondale

Director of Graduate Studies (2020-2024)
M.A. in Media Theory and Research
M.S. in Professional Media Management
M.F.A. in Interdisciplinary Media Arts
Ph.D. in Mass Communication and Media Arts
College of Mass Communication and Media Arts
Southern Illinois University Carbondale

Department Chair (2009-2016)
Department of Cinema and Photography
Southern Illinois University Carbondale

Interim Department Head (2006-2009)
Department of Media and Theatre Arts
Montana State University
Bozeman, MT

• 2023: Lifetime Achievement Award in Adaptation Studies, Literature/Film Association
• 2015: MCMA College Outstanding Teaching Award, Southern Illinois University
• 2008: Ross Provost Award for Excellence in Teaching and Research, Montana State University
• 2007: Chamber of Commerce Award for Excellence in Mentoring, MSU
• 2006: Cox Family Award for Excellence in Teaching and Research, MSU
• 2003-2004: Fulbright Senior Scholar Award, Free University, Berlin, Germany
• 2002: Chamber of Commerce Award for Excellence in Mentoring, Montana State University
• 1998: College of Communication Excellence in Teaching Award, University of Texas at Austin

Books
Gilligan’s Island. Detroit: Wayne State UP, 2012.

Bewitched. Detroit: Wayne State UP, 2007. Reviews: “What Makes a ‘TV Milestone’?” by Janet McCabe. Film Quarterly. 61.4 [Spring 2008]. 80-82.

Engaging Film Criticism: Film History and Contemporary American Cinema. New York: Peter Lang, 2004. Reviews: “Another Paradigm” by Linda Costanzo Cahir. Film and History. 37.1 (2007). 95; David Johnson. Literature/Film Quarterly. 34.4 [2006]. 332-333.

Academic Journal Issues Edited
Film Criticism: Special Issue on “French Cinema of the 1990s,” Vol. 27.1 [Fall 2002].

Published Book Chapters in Refereed Academic Publications
“Pomp-ous Sirk-umstance: Intertextuality, Adaptation and All That Heaven Allows.” Adaptations: Critical and Primary Sources. Eds. Deborah Cartmell and Imelda Whelehan. London: Bloomsbury Academic. 2023 {reprint}.

“Literature/Film/Television: The Case of Mad Men.” Co-authored with Hyo-Jeong Lee. Television Series as Literature: From the Ordinary to the Unthinkable. Eds. Victor Martin Huertas and Reto Winckler. NY: Palgrave Macmillan. 2022.

“Rooster Cogburn Revisited: Triangulating True Grit.” The Twenty-First-Century Western: New Riders of the Cinematic Stage. Eds. Douglas and Shea Brode. Lanham, MD: Lexington, 2020. 69-80.

“Northrup Frye in Reel Tie: Reinventing American Film Criticism.” Popular Culture and the Intellectual: Media Trends and Social Change. Eds. W.P. Huddy and A. Marshall. Toronto: Waterhill P, 2019. 6-18.

“Adapting Genesis.” Film and Religion: Critical Concepts in Media and Cultural Studies. Ed. S. Brent Plate. London and New York: Routledge, 2017. 64-75. {reprint}

“Katrina on My Mind: Pedagogy, Kate Chopin's New Orleans, and HBO's Treme.” Ed. Mary M. Dalton and Laura R. Linder. Screen Lessons: What We Have Learned From Teachers on Television and in the Movies. New York: Peter Lang, 2017. 11-16.

“What’s Wagner, Doc?: Nineteenth-Century German Opera and Contemporary American Popular Culture.” Music Theater as Global Culture: Wagner’s Legacy Today. Eds. Anno Mungen, et. al. Wurzburg: Konigshausen and Neumann, 2017. 334-356.

“From Harlem to Hollywood: The 1970s Renaissance and Blaxploitation.” Beyond Blaxploitation. Eds. Novotny Lawrence and Gerald R. Butters, Jr. Detroit: Wayne State UP, 2016. 226-245.

“The Avant-Garde Among the Animals.” Lives Beyond Us: Poems and Essays on the Film Reality of Animals. Eds. Sebastian Manley and Kirsten Irving. London: Sidekick Books, 2015. 159-183.

“Max Ophuls.” Fifty Great Film Directors. Ed. Yvonne Tasker. NY: Routledge, 2014. 111-115.

“A Step Away from the Cinema: Hollywood and the Poetry of Frank O’Hara.” Verse, Voice, and Vision: Poetry and the Cinema. Ed. Marlisa Santos. Lanham, MD: Scarecrow P, 2013. 153-163.

“This isn’t Yorick, It’s George Goebel”: Mystery Science Theater 3000 Does Hamlet.” Reading Mystery Science Theater 3000. Ed. Shelley Rees. Lanham: Scarecrow, 2013. 125-138.

“Adapting Dachau: Intertextuality and Martin Scorsese’s Shutter Island (2010).” The Adaptation of History. Eds. Lawrence Raw and Define Ersin Tutan. Jefferson, NC: McFarland, 2013. 42-54.

“A Womb with a Phew!: Post-Humanist Theory and Pixar’s Wall-e.” Diversity in Disney Films: Critical Essays on Race, Ethnicity, Gender, Sexuality, and Disability. Ed. Johnson Cheu. Jefferson, NC: McFarland, 2013. 253-267.

“Teaching Adaptation Via Intertextuality: The Stepford Wives, Post-feminism, and Avant-garde Cinema.” The Pedagogy of Adaptation. Dennis Cutchins, Laurence Raw, and James Welsh (Eds.). Lanham, MD: Scarecrow P, 2010. 109-121.

“‘Mother Needs You’: Kevin Costner’s Open Range and the Melodramatics of the American Western.” A Family Affair: Cinema Calls Home. Ed. Murray Pomerance. London and NY: Wallflower P, 2008. 63-74.

“A Tale of Two Potters.” In/Fidelity: Essays on Film Adaptation. Eds. Nancy Mellerski and David Kranz. Cambridge: Cambridge Scholars P, 2008. 209-212.

“The Old Man and the C: Age and Masculinity in the Films of Clint Eastwood.” Clint Eastwood: Actor and Director. Ed. Len Engel. Salt Lake City: U of Utah P, 2007. 204- 217.

“The Cold War’s ‘Undigested Apple-Dumpling’: Imaging Moby-Dick in 1956 and 2001.” The Literature/Film Reader: Issues of Adaptation. Eds. James M. Welsh and Peter Lev. Lanham, MD: Scarecrow P, 2007. 65-76. {reprint}

“From Plato’s Cave to bin Laden’s: The ‘Worst Sincerity’ of Ron Howard’s The Missing.” Visual Culture Revisited: German and American Perspectives on Visual Culture(s). Eds. Ralf Adelmann, et. al. Koln, Germany: Herbert von Halem Verlag, 2007. 127-139.

“Exposing the Lies of Hitchcock’s Truth.” After Hitchcock: Imitation and Influence. Eds. David Boyd and R. Barton Palmer. Austin: U of Texas P, 2007. {reprint}

“Hollywood Cinema.” The Cambridge Companion to Modern American Culture. Ed. Christopher Bigsby. Cambridge: Cambridge UP, 2006. 374-391.

“Modernity and the Crisis in Truth: Alfred Hitchcock and Fritz Lang.” Cinema and Modernity. Ed. Murray Pomerance. New Brunswick: Rutgers UP, 2006. 74- 89.

“The Gump-ification of Academia?: Teaching the Ideological Analysis of Popular Film and Television.” Co-authored with Diane Negra. Visual Media and the Humanities: A Pedagogy of Representation. Ed. Kecia Driver McBride. Knoxville: U of Tennessee P, 2004. 229-257.

“John Waters Goes to Hollywood: A Post-structural Authorship Study.” Authorship and Film. Eds. David Gerstner and Janet Staiger. London and New York: Routledge, 2003. 157-174.

“What Went Wrong?: The American Avant-Garde Cinema of the 1960s.” The Sixties. Lead Author: Paul Monaco. The History of American Cinema Series. New York: Scribners and Sons, 2000. 231-260.

Refereed Journal Articles
“The Sheep of Rockefeller Center: French Continental Philosophy and The Secret Life of Walter Mitty.” Co-authored by Justin Zarian. Weber: The Journal of the American West. 37.1 [Fall 2020].

“Building an Empire State: From Skyscraper Modernity to the American Midwest.” Co- authored with Hyo-Jeong Lee. Middle West Review. 5.2 [2019].

“The Little ‘So-Called Men’ Go to the Movies.” Weber: The Contemporary West. Fall 2017.

“Unfriending Hawthorne.” Literature/Film Quarterly. Fall 2017.

“From Books to Molecules: Adaptation Studies in the 21^st Century. Literature/Film Quarterly. 45.2 [Spring 2017].

“Perambulation, Or The Real Miracle of Morgan’s Creek.” Mise-en-scene: The Journal of Film and Visual Narration. 1.1 [Winter 2016].

“There’s Something Rotten in Film Criticism, and His Name is, Regrettably, Not Johnny.” Film Criticism. 40.1 [January 2016].

“…Because it’s real difficult in life”: Annie Hall and the Theatrical Imagination. Weber: The Contemporary West. 28.2 [Spring/Summer 2012]. 77-89.

“Narrative Delay and the Nature of Love in Come.” Short Film Studies. 2.1 [Spring 2011]. 113-116.

“The Mechanics of the Tectonic Man: Comedy and the ‘Ludic Function’ of A Serious Man and Punch-Drunk Love.” Americana: The Institute for the Study of American Popular Culture. 10.1 [Spring 2011]. http://www.americanpopularculture.com

“‘A great artist can come from anywhere’: Globalization in the Pixar Animated Feature.”

Forum for World Literature Studies. 3.1 [April 2011]. 15-24.

“In Search of… a Third Culture: Towards an Experimental Science and Nature Cinema.” Rupkatha: On Interdisciplinary Studies in Humanities. 3.1 [April 2011]. 191-197. http://rupkatha.com/V3/n1/17Towards-an-Experimental-Science-and-Nature-Cinema.pdf

“A Dreary Life on a Barge: From L’Atalante to Young Adam.” Weber: The Contemporary West 27.2 [Spring/Summer 2011]. 51-66.

“With Eyes Upside Down, Can We Still Read?” Literature/Film Quarterly. 39.3 [2011]. 201-217.

“Down Kerouac’s Road to Pixar’s Up.” Film Criticism. 35.1 [Fall 2010]. 60-81.

“Show Me the Shoah!: Generic Experience and Spectatorship in Popular Representations of the Holocaust.” Shofar: An Interdisciplinary Journal of Jewish Studies. 27.1 [Fall 2008]. 16-35.

“Documentary as Adaptation: The Case of Travis Wilkerson’s An Injury to One.” Literature/Film Quarterly. 35.4 [Fall 2007]. 307-312.

“Adapting Genesis.” Literature/Film Quarterly. 35.3 [Summer 2007]. 229-236.

“Shark Porn: Film Genre, Reception Studies, and Chris Kentis’ Open Water.” Film Criticism. 31.3 [Spring 2007]. 36-58.

“Bridging the Two Cultures: The Case of Science and Natural History Filmmaking.” Forum on Public Policy. [Winter 2007]. http://www.forumonpublicpolicy.com/archive07/metz.pdf

“Atomic Animals: Toward the Re-Invention of Natural History and Science Filmmaking.” IM: Interactive Media. 2. [2006]. 1-12.

“‘Who am I in this story?’: On the Film Adaptations of Max Ophuls.” Literature/Film Quarterly. 34.4 [2006]. 285-293.

“Woody’s Melindas and Todd’s Stories: Complex Film Narratives in the Light of Literary Modernism.” Film Criticism. 31.1-2 [Fall/Winter 2006]. 107-131.

“The Cold War’s ‘undigested apple dumpling’: Imaging Moby-Dick in 1956 and 2001.”

Literature/Film Quarterly. 32.3 [July 2004]. 222-228.

“Breaking the Cycle”: Die Another Day, Post-colonialism, and the James Bond Film Series.” ZAA: Zeitschrift fur Anglistik und Amerikanistik. 52.1 [Spring 2004]. 63-77.

“Have You Written a Ford, Lately?: Gender, Genre, and the Film Adaptations of Dorothy Johnson’s Western Literature.” Literature/Film Quarterly. 31.3 [Summer 2003]. 209-220.

“From Jean-Paul Belmondo to Stan Brakhage: Romanticism and Intertextuality in Irma Vep and Les Misérables.” Film Criticism. 27.1 [Fall 2002]. 66-83.

“Zola(r) Energy: On the Film Adaptations of Emile Zola’s La Bête humaine.” Interdisciplinary Humanities. 19.2 [Fall 2002]. 87-105.

“A Very Notorious Ranch, Indeed: Fritz Lang, Allegory, and the Holocaust.” Journal of Contemporary Thought. 13 [Summer 2001]. 71-86

“Signifying Nothing?: Martin Ritt’s The Sound and the Fury (1959) as Deconstructive Adaptation.” Literature/Film Quarterly. 27.1 [1999]. 21-31.

“Genre Theory and The Shining.” Film Criticism. 22.1 [Fall 1997]. 38-61.

“'Another being we have created called us' : Point-of-view, Melancholia, and the Joking Unconscious in The Bridges of Madison County.” The Velvet Light Trap. 39. [Spring 1997]. 66-83.

“‘Keep the Coffee Hot, Hugo’: Nuclear Trauma in Fritz Lang’s The Big Heat (1953).”

Film Criticism. 21.3 [Spring 1997]. 43-65.

“Pomp(ous) Sirk-umstance: Intertextuality, Adaptation, and All That Heaven Allows.” Journal of Film and Video. 45.4 [Winter 1993]. 3-21.

Film Reviews in Refereed Academic Journals
“Grudge Match.” The Journal of Sport History. 44.1 [2017]. 95-96.

“I Origins.” Science Fiction Film and Television. 10.1 [2017]. 141-144.

“Far From Toy Trains” [A Review of Carol]. Film Criticism. 40.3 [2016]. https://quod.lib.umich.edu/f/fc/13761232.0040.303/--far-from-toy- trains?rgn=main;view=fulltext

“New Englanders, Out of Their Minds” [A Review of The Witch]. Film Criticism. 40.3 [2016]. https://quod.lib.umich.edu/f/fc/13761232.0040.306/--new-englanders-out-of- their-minds?rgn=main;view=fulltext

“Home.” Science Fiction Film and Television. 9.2 [2016]. 303-305.

“The Wolf of Wall Street.” Journal of American Studies in Turkey. No. 41 [Spring 2015]. 211-214.

“Nebraska.” Middle-West Review. 1.1 [Fall 2014]. 155-158.

“American Cinema [PBS Series].” The Rocky Mountain Review of Language and Literature. 53.1 [Spring 1999]. 132-135.

Published Syllabi
“The Dead Hand of Tradition [Online Film Criticism].” The Journal of American Studies in Turkey. No. 46 [Spring 2017]. 39-57.

“Women, Film and Feminism.” Women’s Studies Quarterly. 30.1-2 [Spring/Summer 2002]. 312-318.

Published Encyclopedia Entires
“Home Box Office.” Encyclopedia of Television. 2^nd Ed. Ed. Horace Newcomb. Chicago: Fitzroy Dearborn, 2004.

The Encyclopedia of Novels into Film. Eds. John C. Tibbetts and James M. Welsh. New York: Facts on File, 1998. Essays on: Barry Lyndon, La Bête humaine, The Big Heat, The Bonfire of the Vanities, The Bridges of Madison County, The Treasure of the Sierra Madre, and The Wizard of Oz.

Published Short Articles
“Cold, Hard Facts, But No Newspaper Nor Legend.” Gateway Journalism Review. 48. 354 [Summer 2019]. https://go.gale.com/ps/anonymous?id=GALE%7CA607761123&sid=googleScholar&v=

2.1&it=r&linkaccess=abs&issn=21587345&p=AONE&sw=w

“Individual, Institution, Ideology.” Gateway Journalism Review. February 23, 2016. http://gatewayjr.org/2016/02/24/individual-institution-ideology-an-essay-on-spotlight- tom-mccarthy-2015/

“Three Days of the Candor.” Gateway Journalism Review. December 11, 2015. http://gatewayjr.org/2015/12/11/three-days-of-the-candor-a-review-of-truth/

“The Persistence of Fidelity.” Roundtable Conversation with Thomas Leitch, Linda Costanzo Cahir, and David L. Kranz. In/Fidelity: Essays on Film Adaptation. Eds. Nancy Mellerski and David Kranz. Cambridge: Cambridge Scholars P, 2008. 213-226.

“Reader’s Forum: On 9/11.” The Montana Professor. 12.2 [Spring 2002]. 3.

Published Book Reviews
“Herbie Pilato’s Twitch Upon a Star [Book Review]. Critical Studies in Television. 10.2 [Summer 2015]. 131-133.

“R. Barton Palmer’s Joel and Ethan Coen [Book Review].” Historical Journal of Film, Radio, and Television. 27.1 [Spring 2007]. 156-158.

“Jack Boozer’s Career Movies [Book Review].” Historical Journal of Film, Radio, and Television. 33.4. 2003.

“From the Frankfurt School to Film School: Theorizing Cinema Pedagogy.” The Review of Communication. 3.4. [October 2003]. 455-458.

“The Neorealist Auteur Re-visited: An Archaeology of Criticism on Vittorio De Sica.”

The Review of Communication. 3.3 [July 2003].

“Karen Hannsberry’s Femme Noir: Bad Girls of Film [Book Review].” Film and History. 29.1-2 [Spring/Summer 1999]. 73.

Jackie Bratton, et. al.'s Melodrama: Stage, Picture, Screen [Book Review].” Film Quarterly. 49.4 [Summer 1996]. 48-51.

“Barbara Klinger's Melodrama and Meaning [Book Review].” Film Quarterly. 49.1 [Fall 1995]. 55-57.

November 2020
“Facing the Music, Indeed: Bill and Ted Save the Country.” American Studies Encounters. University of Warsaw, Poland.

December 2016
“Anti-Blaxploitation: The Case of Ganja and Hess.” Black Cinema House. Chicago, IL.

September 2016
“The Westerns of John Ford.” Prairieland Chautauqua. Jacksonville, IL.

September 2016
“Buster Keaton and the Development of Silent Slapstick Comedy.” Prairieland Chautauqua. Jacksonville, IL.

November 2015
“Noah Exit: An Existential Flood of Genre Films.” Shapiro Center for Christian and Jewish Studies. Greenville College. Greenville, IL.

November 2015
“Color By Numbers: Science Fiction Film and the Nature of Art.” Humanities Faculty Research Group. University Museum. Southern Illinois University.

October 2013
“The Impact of Modernism, Cinema, and the 1913 Armory Show on Higher Education in Southern Illinois.” The Armory Show of 1913 and the Legacy of Modernism Conference. Carbondale Community Arts. Carbondale, IL.

January 2011
“The Art of Illustrating in a Time of Persecution: Arthur Szyk and Dr. Seuss.” New Britain Museum of American Art. New Britain, CT.

January 2011
“Dr. Seuss and the Holocaust.” Greenberg Center for Judaic Studies. University of Hartford. Hartford, CT.

October 2010
“The Engineers of the Soul: Berlin, Friedrich Kittler, and The Lives of Others.” Global Media Research Center. Southern Illinois University.

March 2009
“The Post-Human Spork, and other disasters: Science Studies in the Light of Film and Television,” Department of Humanities, University of the Sciences in Philadelphia, Philadelphia, PA.

April 2005
“The Stepford Wives and Post-Feminism: The Avant-garde Meets Contemporary American Cinema,” Gender Studies Now! Symposium, John F. Kennedy Institute for North American Studies, Berlin, Germany.

April 2005
“The Worse Sincerity: The Intertextual Melodramatics of the Post 9/11 Western,” Visual Culture Revisited Conference, Berlin, Germany.

October 2004
"Spam in a Can: The Cold War, Masculinity, and Representations of the American Space Program,” Department of Radio-TV-Film, University of Texas, Austin, TX

September 2004
“Men at Sea: Whiteness and Masculinity in the Film Adaptations of Moby-Dick,” Honors Program Forum, Mississippi State University, Starkville, MS

September 2004
“The HBO Sitcom,” Honors Mass Media, Mississippi State University, Starkville, MS

June 2004
“Men at Sea: Whiteness and Masculinity in Contemporary American Cinema,” Fulbright Lecture Series: “American Experiences: Diversity and Change in US Culture and Society,” American Studies Department, University of Leipzig, Germany

May 2004
“Post-Feminism and Contemporary American Cinema,” Conference on Women and Women’s History in the U.S., Atlantische Akademie Rheinland-Pfalz, Waldfischbach, Germany

May 2004
“Feminism and Contemporary American Drama,” Conference on Women and Women’s History in the U.S., Atlantische Akademie Rheinland-Pfalz, Waldfischbach, Germany

May 2004
“Oh My Stars!: The Politics of History in Bewitched,” Literature/Culture Research Colloquium, John F. Kennedy Institute, Free University, Berlin, Germany

October 2003
“‘I tried to take it back, but it was too late’: Whiteness/Fantasy/Prison,” School of English and American Studies, University of East Anglia, Norwich, England

October 2003
“Consuming The Graduate: Post-Feminism and Contemporary American Cinema,” Literature/Culture Research Colloquium, John F. Kennedy Institute, Free University, Berlin, Germany

April 2003
“Max Ophuls and the Art of Film Adaptation,” Department of English, Indiana University of Pennsylvania, Indiana, PA

April 2002
“Hamlet and Contemporary American Cinema,” Department of Film, University of Oklahoma, Norman, OK

April 2002
“Toward a Post-Structural Approach to Authorship,” Department of Film, University of Oklahoma, Norman, OK

February 2002
“Have You Written a Ford, Lately?: Dorothy Johnson and the Film Western,” Department of English, Salisbury University, Salisbury, MD

February 1999
“Sling Blades After Mockingbirds (and other acts of violence): The Intertextual Unconscious in Recent Hollywood Cinema,” RTVF Forum, University of North Texas, Denton, TX

April 1998
“It’s a Shark, Not a Whale! You’re Fired,” Department of Popular Culture, Bowling Green State University, Bowling Green, OH

April 1998
“Romancing the National Security in the Post-Cold War Action-Adventure Film,” Department of Popular Culture, Bowling Green State University, Bowling Green, OH

April 1997
“The Apocalyptic Cold War Cinema of Fritz Lang,” Department of Radio-Television- Film, Texas Christian University, Fort Worth, TX

Undergraduate Courses Taught {face-to-face delivery}
CP 101: Film History and Analysis
CIN 101: Introduction to Screen Studies
MTA 104: Theater and Mass Media
MCMA 200: Media and Information Literacy
AMST 202: American Studies and the American West
MTA 218: International Film and Television
CP 260: Understanding Visual Media
CP 350: Short Cinema Studies
UHON351: Honor’s Seminar – Empathy and Media Arts
UHON 351: Honor’s Seminar - Islamic Cinema and Culture
UHON 351: Honor’s Seminar – Molecular Cinema
UHON 351: Honor’s Seminar – Pixar and Dr. Seuss
UHON 351: Honor’s Seminar – Supreme Court and Cinema
UHON351: Honor’s Seminar – Opera and Cinema
CP 354i: American Studies and Mass Media
CP354i: World’s Fairs and Cinema
CP 360A: Photography Studies
CIN 360: New Media Now
CIN 361: New Media Then
CP 465: Short Cinema Studies
CP468: Film Criticism
CIN 470A: History, Theory, and Criticism of Animation
CIN 470A: Sigmund Freud, Storyteller
CIN470A: Shooting Media Funny
CIN470A: Intertextuality and Media Arts
CIN 470A: Time and the Media Arts
CP470A: Cognitive Film Theory
CP 470A: Film Production Theory
CP470A: Civil Rights and Mass Media

Online Courses Taught {undergraduate and graduate levels}
CP 101: Film History and Analysis
MCMA 200: Information and Media Literacy
CP 210: History of Photography
CP 354i: Twentieth Century American Cities and Cinema
CP 360B: Cinema Studies
CP 470A: Chick Flicks
CP 470A: Contemporary American Cinema
CP 470A: Film Criticism
RTD 492: History, Theory, and Criticism of Animation
RTD 492: Civil Rights in Film and Television
RTD 492: Theory and Practice of Podcasting
MCMA 505: Advanced Mass Communication Theory
MCMA 550: History of Media Arts

Graduate Courses Taught {face-to-face delivery}
MTA 502: Documentary History and Theory
MCMA 505: Advanced Mass Communication Theory
MTA 506: Science Studies
MCMA 514: Theories of Mass Communication
MCMA 550: History of Media Arts and Culture
MCMA 553: History and Theory of Media Arts
MCMA 576: Gender, Sexuality, and Media
MCMA 587: Critical Social Media Studies
MCMA 592: Masters Seminar
MCMA 595: Ph.D. Proseminar

 2003-2004 academic year
Fulbright guest professor at the John F. Kennedy Institute for North American Studies at the Free University in Berlin, Germany.