Kyle Hutchins
School of Performing Arts
242-G Squires
Blacksburg, VA 24061
540-231-5335
jkhutch@vt.edu
Kyle Hutchins is a visionary experimental performance artist, composer, improviser, and educator, forging new sonic frontiers with his saxophone, voice, cutting-edge technology, and an arsenal of unconventional instruments. Hailed as “epic” (Jazz Times) and “gripping” (Star Tribune), Kyle’s music has been showcased at prestigious venues like Carnegie Hall and The Walker Art Center, and featured at festivals across five continents, including the World Saxophone Congress, Internationales Musikinstitut Darmstadt, and the International Computer Music Conference. His artistry has earned him accolades from DOWNBEAT, New Music USA, The American Prize, and American Protégé, as well as recognition in The Roanoker Magazine’s “40 under 40” for 2024.
A leading figure in experimental performance and electroacoustic new music, Kyle has premiered over 350 new works and appears on more than thirty albums as both a leader and sideman. He regularly performs with 113 Composers Collective, Fonema Consort, and Strains Ensemble, and has worked with prominent composers and performers including Pauline Oliveros, George Lewis, Chaya Czernowin, Douglas Ewart, and Claire Chase. Kyle has also developed long-standing collaborations with many contemporary artists such as Ted Moore, Tiffany M. Skidmore, Joey Crane, Emily Lau, Elizabeth A. Baker, Charles Nichols, Eric Lyon, and many more wonderful artists and dear friends.
“Part of electroacoustic improv’s well-hewn dynasty” (Downtown Music Gallery), Kyle is an eminent improviser whose playing is described as “undoubtedly brave” (Issues Magazine) and “frankly unsafe” (I Care If You Listen). His work can be heard on labels such as Carrier, Lurker Bias, Noise Pelican, and Mother Brain, as well as at festivals and series like afterMAF, SKRONK, and CUSP. His ongoing projects, including Binary Canary, Kill All Kings, and Banshee, draw on influences from free jazz, noise music, and punk rock.
Since 2016, Kyle has been a faculty member at Virginia Tech, where he serves as Assistant Professor of Practice in the School of Performing Arts and Director of the New Music + Technology Festival and ArtX Program at the Institute for Creativity, Arts, and Technology. He holds a Doctor of Musical Arts and a Master of Music degree from the University of Minnesota, and Bachelor's degrees in Music Performance and Music Education from the University of North Texas, studying under Eugene Rousseau, Eric Nestler, Marcus Weiss, and James Dillon.
Kyle is a Performing Artist for Yamaha, Légère, and E. Rousseau Mouthpieces.
- Saxophone Literature and Pedagogy
- Jazz Studies and Improvisation
- Chamber Music
- Contemporary and Experimental Performance Practice
- Electroacoustic Music
- DMA, Saxophone Performance, University of Minnesota, 2015
- MM, Saxophone Performance, University of Minnesota, 2013
- BM, General, Choral, and Instrumental Music Education, University of North Texas, 2011
- BM, Saxophone Performance, University of North Texas, 2011
- Spatial Music Workshop at Virginia Tech, Artistic Director
- SOPA Equity, Diversity and Inclusion Committee Member
- 113 (One Thirteen) Collective, Staff and Communications Committee Chair
- Symposium (College Music Society Journal), Audio Review Editorial Board Member
- North American Saxophone Alliance
- Mu Phi Epsilon
- Yamaha Performing Artist
- Legere Performing Artist
- Rousseau Music Product Artist
Published Books
Saxophone Music with Minimalistic Tendencies: An Annotated Bibliography. 2017. LAP Lambert Academic Publishing / OmniScriptum GmbH & Co. KG. Saarbrücken, Germany, ISBN 978-3330089860
Selected Recordings
The Leesta Vall Sessions/TOASTED. 2020. Kyle Hutchins, Eric Lyon. Avid Sound Records (ASR 20201-2)
Death Waltz. 2020. Joshua Clausen/Joe Horton/Kyle Hutchins. Noise Pelican Records
GLOW. 2020. Spearfisher feat. Kyle Hutchins. Independent EP release.
iterative systems. 2019. Binary Canary. Carrier Records (042)
BC+1. 2017. Binary Canary with Scott Miller, Pat O’Keefe, Brittany Primavera, Adam Zahller. Avid Sound Records (ASR 20171)
click/blow. 2015 Binary Canary. Avid Sound Records (ASR 20152)
Interactions. 2014. AVIDduo with Peter John. Avid Sound Records (ASR 20141)
Images: American Sonatas. 2013. Hutchins-Choi Duo. Emeritus Records (ER 20135)
Selected Media
Engineers’ Forum. Volume 40 - No. 2. April 2019. “This Is Maximalist: The Cube @ Virginia Tech.” Alexander Pestopoulos. Cover, pg. 4-8.
Jazz Times. October 13, 2019. “Binary Canary: Iterative Systems (Carrier)” Album Review. Brad Cohan.
Downtown Music Gallery. November November 15, 2019. “DMG Newsletter” Album Review. Darren Bergstein.
I Care If You Listen. August 9, 2017. “Binary Canary and Guest Improvisers on bc+1” Album Review. Colin Holter.
- MUS 1104 Music Appreciation
- MUS 2115 Survey of Western Music
- MUS 2244 Class Applied Saxophone
- MUS 2614 Individual Applied Saxophone
- MUS 3045 Advanced Ear Training III
- MUS 3046 Advanced Ear Training IV
- MUS 3314 Instrumental Ensemble Music, Jazz Lab Band
- MUS 3314 Instrumental Ensemble Music, New Music Ensemble
- MUS 3314 Instrumental Ensemble Music, Saxophone Quartet
- MUS 3316 Music In America: History of Jazz
- MUS 4614 Advanced Individual Applied Saxophone
- MUS 5614 Grad Individual Applied Saxophone